BUALA

Contemporary dance from Africa as creative opposition to stereotypical images of Africanity

On the one hand I try to understand how African dance and as African considered corporalities are used as an aesthetic medium in common European cultural practices. How does European discourse create which images of African dance and performances? On the other hand and crucially, I focus on the African side of the coin: how do African dancers and choreographers (re)act and which are their individual choices in the scope of various challenges and do European discourse have any significance on African dancers’ and choreographers’ decisions?

Stages

16.05.2010 | by Nadine Siegert