BUALA

Panoramic in Moving Fragments, or Mónica de Miranda’s Twin Visions of (Un)Belonging

Miranda’s work is deeply marked by family memories and experiences and, more broadly, by the collective histories of Portugal and Angola. In Panorama, her focus on the psychic and physical remnants of several pasts – colonial, post-independence, post-Cold War, post-civil war – within natural, urban and architectural landscapes of Luanda and beyond serves the larger purpose of examining the contradictions of the present and imagining alternative futures.

I'll visit

05.07.2017 | by Ana Balona de Oliveira