Shot of Avenida Marginal: tourists walk along it for leasure, Cape Verdeans working. The accumulation of images creates a parallel view, of a world that interacts, but is mutually unaware of each other. We then begin to discover a reading line of the movie. The two worlds are presented to us in a certain manichaeism, famously assumed by the directors. On one side, the resilience of the islanders and their ability to take advantage of scarce resources. The struggling Cape Verdeans who resist the constraints that harass them, whose difficult lives are mitigated by interpersonal relationships of solidarity and some alienation.
Shot of Avenida Marginal: tourists walk along it for leasure, Cape Verdeans working. The accumulation of images creates a parallel view, of a world that interacts, but is mutually unaware of each other. We then begin to discover a reading line of the movie. The two worlds are presented to us in a certain manichaeism, famously assumed by the directors. On one side, the resilience of the islanders and their ability to take advantage of scarce resources. The struggling Cape Verdeans who resist the constraints that harass them, whose difficult lives are mitigated by interpersonal relationships of solidarity and some alienation. 
